大学教授礼仪培训心得体会及感悟 大学教授礼仪培训心得体会及感悟总结(6篇)

我们在一些事情上受到启发后，可以通过写心得体会的方式将其记录下来，它可以帮助我们了解自己的这段时间的学习、工作生活状态。那么心得体会该怎么写？想必这让大家都很苦恼吧。接下来我就给大家介绍一下如何才能写好一篇心得体会吧，我们一起来看一看吧。

关于大学教授礼仪培训心得体会及感悟一

本人应**大学**学院**级**专业**同学请求，推荐该生到**大学进行研究生阶段的学习。

该生于**年**月进入**大学**学院进行学习，学习成绩一直非常优秀，在专业名列前茅。本人曾于该生本科阶段的学习时，担任其**及**课程的授课教师，在与该生的课内、课外互动中，对其印象极为深刻。初见该生，个性内敛，但勤于思考，善于提问。经过与该生的多次交流之后，可以发现，她有较强独立思考的能力，比如：在教授其**课中，该生能对书中的模型持怀疑的态度，并能指出其不完善之处;该生具备一定的科研工作能力，曾经参与“挑战杯”大学生课外学术科技作品竞赛，并取得了优异的成绩。

通过批阅该生的课程论文，我了解到，该生已具备扎实的专业基础，具备了熟练分析经济问题的能力，而且比较熟练的掌握了经济学方面的研究方法与范式，能够在分析问题时恰当地使用经济学的语言。

该生综合表现突出，并对财政学理论有着浓厚的兴趣，故予以推荐，望审核通过。

签名：***

**大学***院 教授

****、**、**

关于大学教授礼仪培训心得体会及感悟二

中国共产党的优秀党员、杰出的法学家和法学教育家、中国民法学研究会顾问、原中国法学会副会长暨学术委员会委员、原中国法学会民法学经济法学研究会副总干事、原国家教育委员会法学学科教学指导委员会副主任委员、原**大学法律学系主任、原**大学学术委员会委员、**大学法学院教授，因病医治无效，于201*年9月5日7点45分在**大学第三医院不幸逝世，享年82岁。

**教授毕生从事民法学的教学研究工作，为当代中国民法学的重建和发展作出了开创性的贡献。**教授参与了多部重要法律的起草工作，特别是1985-1986年作为民法通则起草专家咨询小组的四位成员之一，负责起草民事责任一章，为这部被誉为“中国的民事权利宣言”的民事基本法的制定做出了杰出贡献。20xx年，中国法学会授予**教授“全国杰出资深法学家”称号。

**教授自1960年起任教于**大学法律学系，曾担任党总支副书记、书记和系主任。他学识渊博、治学严谨、正直清廉，工作一丝不苟，对北大法律学系及法学院的学科建设和人才培养贡献卓著，深受同事和学生的敬重与爱戴。

**教授的逝世不仅是北大法学院，也是中国法学界的重大损失。

**教授的遗体告别仪式定于201*年9月9日9时在八宝山殡仪馆东礼堂举行。

谨此沉痛讣告。

**大学法学院**教授治丧办公室

201*年9月5日

参加告别仪式的同志，请于9月9日上午8时在北大法学院凯原楼乘车，也可自行前往。欲致唁电、唁函或欲送花篮的单位或个人，请与**教授治丧办公室联系，电话：;传真：;电子邮箱：。

关于大学教授礼仪培训心得体会及感悟三

20xx级新同学们：

大家上午好!

站在这里，我最纠结的是，作为教师代表，一位年长者的说教很可能让你们觉得无趣，恨不得以“葛优躺”的姿势，延缓即将到来的军训。我深知，几分钟的致辞，很容易落入鸡汤文与成功学的窠臼，你们的小宇宙或许已然思接千载，视通万里。我不想进行灵魂安利，但是灵魂安利在蔓延，比如每年九月初开学，就会有龙应台写给儿子安德烈的一段话广为传播：“孩子，我要求你读书用功，不是因为我要你跟别人比成绩，而是我希望你将来会拥有选择的权利，选择有意义、有时间的工作，而不是被迫谋生。当你的工作在你心中有意义，你就有成就感。当你的工作给你时间，不剥夺你的生活，你就有尊严。成就感和尊严，给你快乐。” 在我看来，这自然是有道理的，但依然是精英教育的思维，与平民的现实相去甚远。

面对你们，我很自然会缅怀青春，以及与青春相关的一切，比如春天，比如爱情，比如生命力，比如疯狂、感性、浪漫、激切、迷茫、率真、单纯等等。这些都是青春的基因，你逃无可逃，为什么要抗拒呢?只有照单全收，方有成长的喜悦，这不就是成就感吗?

所以我歌唱所有的青春，比如50年代王蒙先生在《青春万岁》中的序诗：

所有的日子，所有的日子都来吧，

让我编织你们，用青春的金线，

和幸福的璎珞，编织你们。

我也不止一次地吟诵80年代海子的《面朝大海，春暖花开》：

从明天起，做一个幸福的人，

喂马、劈柴，周游世界

从明天起，关心粮食和蔬菜

我有一所房子，面朝大海，春暖花开

毫无疑问，青春是人生最华彩的乐章，是天地最无私的赐予，她是《诗经》《楚辞》中的香草美人，她是唐诗宋词里的离愁别绪，她是徐志摩眼中的彩虹，她是林徽因的人间四月天。青春是穿越时空的美丽，于是德国哲学家瓦尔特·本雅明说，“青年，无论如何，是沉睡着的睡美人”。我觉得这也是阅读中国90后的正确打开方式。

此刻，我的思绪从“沉睡着的睡美人”漂移到“葛优躺”，然后来到了最近网络最欢乐的砍柴和放羊的故事：

你是砍柴的，他是放羊的，你和他聊了一天，他的羊吃饱了，你的柴呢?

据说，请放弃你的无效社交是这个段子的正确解读，而别样的解读仍然在持续发酵。这让我联想到一则禅宗故事——

一位行者问老和尚：“您得道前，做些什么?”

老和尚说：“砍柴、挑水、做饭。”

行者问：“那得道后呢?”

老和尚说：“砍柴、挑水、做饭。”

面对一样的答案，行者不禁产生了疑问：“那何谓得道?”

老和尚回答说：“得道前，砍柴时惦记着挑水，挑水时惦记着做饭;得道后，砍柴即砍柴，挑水即挑水，做饭即做饭。”

禅意盎然的故事，对于互联网的“原住民”你们来说，自然是别有会心。因为互联网鼓励我们蜻蜓点水般地从多种信息来源中广泛采集碎片化的信息……我们变得对扫描和略读越来越得心应手，但是，我们正在丧失的却是专注能力、沉思能力和反省能力。这是互联网的问题，也是青春的问题。互联网带来的去中心化、游戏化、扁平化、碎片化、民主化;青春的浮躁、急迫、三心二意、瞻前顾后、贪多务得等等也会妨碍我们健康成长和“得道”。老子《道德经》里说：“少则得、多则惑，是以圣人抱一为天下式。”圣人总是执着地追求一个方面,为天下人思考最普遍的理论准则，有舍才有得，无为而无不为，这是道家的生活姿态。对于精力旺盛的你们来说，在大学学习阶段，在进行人生规划时，可以再三玩味这则禅宗故事。

很遗憾的是，我还是落入鸡汤文与成功学的窠臼。好吧，让我们唤醒内心的洪荒之力，吹响青春的集结号，我们继续读诗，把海子的诗歌读完：

从明天起，和每一个亲人通信

告诉他们我的幸福

那幸福的闪电告诉我的

我将告诉每一个人

给每一条河 每一座山 取一个温暖的名字

陌生人，我也为你祝福

愿你有一个灿烂的前程

愿你有情人终成眷属

愿你在尘世获得幸福

我只愿面朝大海，春暖花开

关于大学教授礼仪培训心得体会及感悟四

外国语学院退休教师xx教授，因病医治无效，于20xx年11月2日凌晨3时48分逝世，享年86岁。

1949年进入师范班学习俄语，同时在教务处任职，1953年起至1990年一直在外语系任教,从事外语教学37年。

1980年任副教授、1988年任教授，曾担任教研室副主任。

热爱祖国、热爱外语教育事业，她把炽热的爱和满腔的心血全部倾注在外语教育事业上，是一位优秀的外语教师，曾获得优秀教师称号。

为人忠厚老实、正直善良;工作勤勤恳恳、兢兢业业、一丝不苟。多年来，她一心扑在教学工作上，在完成教学工作之余，曾担任黑龙江省语言学会、黑龙江省翻译工作协会理事;中国中文信息研究会微机辅助领导小组成员。多次受到各级组织的表彰和奖励，受到学生和同事们的广泛赞扬和尊敬。

逝世，使我们失去了一位好师长、好同事、好朋友，是我们外语教育事业的损失。

xx教授安息吧!

xx教授的遗体告别仪式定于20xx年11月4日(周三)上午8点整在东华苑举行。11月4日早6点50分在电机楼门前有车前往，望生前好友相互转告。

工业大学外国语学院

20xx年11月2日

关于大学教授礼仪培训心得体会及感悟五

“who will tell your story?”

may 24, 20xx

greetings, class of 20xx.

and so it is here—the week of your commencement. the days of miracle and wonder when your theses are written, classes have ended, and you still have free hbo. and so it may seem strange to be gathered here today, as we pause for this ancient and curious custom called the baccalaureate—but here we are, me in a pulpit and you in pews, dressed for a sermon in which i am to impart the sober wisdom of age to the semi-sober impatience of youth. now, it is a daunting task. especially since over the course of four years i have succeeded in disconcerting people on all sides of the many issues that you will soon be discussing with parents and grandparents over dinner—so in addition to a speech, for handy reference i’ve created a placemat for commencement, filled with useful phrases. such as, “it’s ‘final club,’ without an ‘s.’”

now, i am truly privileged today, for you are an extraordinary group. your 80 countries of origin do not begin to describe you.

you may remember the day when we escaped the rain at your freshman convocation, and you heard from me and a phalanx of elders in dark robes: connect, we said, make harvard part of your narrative. take risks, we told you. don’t always listen to us.

and for four years you have distinguished yourselves with dazzling variety: in what may be harvard’s most pergent dozen, you produced six rhodes scholars, including one who broke the world record for standing on a “swiss” exercise ball, plus six athletes invited to the national football league to play ball, players whose interests range from the ministry to curing infectious diseases.

you were good at long distances: you probed the atmosphere of an exoplanet; researched antibiotic use on a pig farm in denmark; and you created a pilot program that cut shuttle times from the quad by half.

you experienced old traditions: the mumps. a class color, orange. and the time-honored lampoon theft of the crimson president’s chair—this time transporting it across state lines to manhattan’s trump tower, for a staged photo op with a then dark-horse presidential candidate.

you found your way: on campus, through a maze of renovations and swing housing; onstage, doing stand-up comedy on nbc, dancing in bogota, and mounting black magic at the loeb; through the halls of business and finance, running an intercollegiate investment fund; and exposing a privacy issue with facebook’s messenger app.

you won, with style and grace: as you captured the first national trophy for harvard mock trial—by being funnier than yale; and then you shellacked the bulldogs in the game for—yes—the 9th straight year; you produced the first ivy “three-peats” in football and women’s track; and brought home the first ivy crown in women’s rugby—how “fierce and beautiful” was that!

and, of course, all this was powered by huds, since 20xx, powered with ceaseless servings of swai.

and you were just plain good: you wrote prize-winning theses on sea level change, a water crisis in detroit; you engineered a better barbecue smoker—and tested it in a blizzard; you joined the fight to end malaria; and earned the award for best hockey player in the ncaa for strength of character as well as skill; you became well connected—to alzheimer’s patients, to kids in kenya, to homeless youth; and, as the inaugural class of ed school teacher fellows, 20 of you are preparing to help high-need students rise.

and i understand you even rested with ambition, as you tried to “netflix and chill.”

you made it all look easy—all while facing blows to the spirit that have tempered and tested you. you arrived just after a breach of academic trust that, by your senior year, produced the first honor code in harvard’s history, events that raised hard questions for all of us: what is success? what is integrity? to whom, or what, are we accountable?

when a hurricane prompted the first harvard closing in 34 years, you rallied with generosity and goodwill—and did so again when we closed for snowstorm nemo—the fifth largest in boston history. and that was just a warm up, so to speak, for the winter of our misery—the worst in boston history—when you sledded the slopes of widener in a kayak.

and when the bombs went off at the boston marathon, in just your second semester, we considered still larger questions: who are we? what matters most? what do we owe to one another? you told me that you became bostonians that day, bonded to a city beyond harvard square, and to each other during the manhunt and lockdown, when the university closed for an unprecedented third time in 6 months.

who can forget the images—of the mayhem, of the people who ran, not for safety, buttoward the danger, into the chaos? the army veteran, who smelled cordite, and expecting more bombs, saved a college student’s life; the man in the cowboy hat, who ripped away fencing in order to reach the most injured. and who can forget the moment when red sox first baseman david ortiz stood in the center of fenway park and said in eleven words of fellowship and defiance that the fcc chose not to censor, though i will today—“this is our [bleeping] city and nobody[’s] gonna dictate our freedom.”

a few months ago as i was lucky enough to be sitting in a broadway theater, absorbing the final number of the musical hamilton, i thought of you, and that fierce spirit of inclusion and self-determination. i watched as eliza, center stage, sang, “i put myself back in the narrative,” and asked the question in the title of her song, “who lives, who dies, who tells your story?,” the spirited summation of a production that, like you, has broken records. like you, has created a new drama inside a very old one.

harvard, one might say, is a bastion of opportunity and unimaginable good fortune—for all of us, who find a place, with varying degrees of comfort, at the center of its long and successful narrative. and yet the burden is on us—to locate the discomfort, to act on the restless spirit of that legacy. as i thought about speaking to you here today, it occurred to me how much the question in that final song has framed your time here, and how much it will continue to affect your lives, as college graduates, as harvard alumni, as citizens and as leaders. who will tell your story?

you. you will tell your story. that is the point that i want to leave you with today. telling your own story, a fresh story, full of possibility and a new order of things, is the task of every generation, and the task before you. and that task is exactly what your liberal arts education has prepared you to do, in three vital ways:

first, telling your own story means discovering who you are, and not what others think you should be. it means being mindful of others, but deciding for yourself. it’s easy to tell a tale that others define, the one they expect to hear. a moment ago i sketched your harvard history. but what did i leave out? one of harvard’s legendary figures and reverend walton’s predecessor, the reverend peter gomes, used to put it this way: “don’t let anyone finish your sentences for you.” he loved being a paradox, an unpredictable surprise, but always true to himself: a republican in cambridge; a gay baptist preacher; black president of the pilgrim society—afro-saxon, as he sometimes put it. playful. unapologetic. unbounded by others’ expectations. “my anomalies,” he once said, “make it possible to advance the conversation.”

advance the conversation. this is my next point. telling our own stories is not just about us. it is a conversation with others, exploring larger purposes and other worlds and different ways of thinking. your education is not a bubble. think of it as an escape hatch, from what nigerian novelist and former radcliffe fellow chimamanda adichie calls “the danger of a single story.” she has observed, “[h]ow impressionable and vulnerable we are in the face of a story.” not because it may be untrue, but because, in her words, “[stories] are incomplete. they make one story become the only story,” even though “[m]any stories matter.” for four years you have learned the rewards of other stories, and the risk of critical misunderstandings when they go unheard—whether those stories emerge from the office for lgbtq life, or the black lives matter movement, or the international conversation on sexual assault—and perhaps most powerfully, from one another. this is precious knowledge. only by knowing that other stories are possible can we imagine a different future. what will medicine look like in the 21st century? energy? migration? how will cities be designed? the question, as one of you wrote in the crimson, is not “what am [i] going to be,” but “what problem do [i] solve?”

which brings me to my final point: keep revising. every story is only a draft. we re-tell even our oldest sagas—whether of hamilton and the american revolution or of harvard itself. the best education prepares you because it is unsettling, an obstacle course that forces us to question and push and reinvent ourselves, and the world, in a new way. steven spielberg, who will speak to us on thursday, has explained the foundation of his powerful storytelling. he says: “fear is my fuel. i get to the brink of not knowing what to do and that’s when i get my best ideas.”

what is a university but a place where everyone should feel equally sure to be unsure? our best discoveries can start out as mistakes. as herbie hancock told us, his mentor jazz legend miles davis, said there is no playing a “wrong” note, only a surprising one, whose meaning depends on whatever you play next.

in the evolving universe of profiles and hashtags and selfies, it seems no accident that you are the class of snapchat—a platform that took hold when you were freshmen and developed with you, from showing “snaps” to telling and sharing “stories”—stories that vanish every day, to be replaced by new stories, free of “likes” or “followers.” an app that, in the words of a founder, “isn’t about capturing … what[’s] pretty or perfect … but … creates a space to … communicat[e] with the full range of human emotion.”

and so for four years you have been learning to re-tell things: finding your voices, putting yourself in a narrative, whether that was demanding action against climate change, discovering that you love statistics, or creating the powerful message of “i, too, am harvard.” you have seen things re-told. even harvard’s story. last month one of my heroes, congressman john lewis, came to harvard yard to unveil a plaque on wadsworth house, documenting the presence of four enslaved inpiduals who lived in the households of two harvard presidents. john lewis said, “we try to forget but the voices of generations have been calling us to remember.” titus, venus, bilhah and juba—their lives change our story. after three centuries, they have a voice. they, too, are harvard.

telling a new story isn’t easy. it can take courage, and resolve. it often means leaving the safe path for the unknown, compelled, as john lewis put it, to “disturb the order of things.” and during your years here you have learned to make, as he urged, “good trouble, necessary trouble.”

for years i have been telling students: find what you love. do what matters to you. it might be physics or neuroscience, or filmmaking or finance. but don’t settle for plot b, the safe story, the expected story, until you have tried plot a, even if it might require a miracle. i call this the parking space theory of life. don’t park 10 blocks away from your destination because you are afraid you won’t find a closer space. don’t miss your spot—don’t throw away your shot. go to where you think you want to be. you can always circle back to where you have to be. this can require patience and determination. steven spielberg was, in fact, late to class his first day as a student at california state university, because, as he put it, “i had to park so far away.” he went on to sneak onto movie sets, no matter how many times he got thrown off.

“you shouldn't dream your film,” he has said, “you should make it!”

perhaps this is the new jurassic parking space theory of life—don’t just tell your story, live it. your future is not a . it’s an attitude, a way of being that can create a new narrative no one may have thought possible, let alone probable:

jeremy lin—harvard graduate, asian-american—changed the narrative of professional basketball, still sizzling with “linsanity” when you arrived as freshmen.

think about stephen hawking, who spoke to us last month through a speech synthesizer. he changed the narrative of the universe, a story about what ultimately will become of all our stories—one he has been revising since he was your age, when he was given three years to live.

and you are already changing the story:

think of the astrophysics and mythology concentrator who started a mentorship program for women of color to change the narrative of who enters stem fields, and she wrote a science fiction novel to tell a new research-based story about the galaxy.

or think of the second lieutenant—one of 12 new harvard officers—who will serve her country in the u.s. marines, battling not only the enemy, but persistent gender pides. “how will that change,” she says, “unless we start now?”

and think about the pre-med student who found himself literally running away from campus, fleeing in misery, until he suddenly stopped in his tracks and turned back, because he remembered he needed to be at a theater rehearsal where he had stage managing responsibilities. some 20 productions later, he has a theater directing fellowship for next year, and even his parents, as he puts it, now believe “that i am an artist.”

value the ballast of custom, the foundations of knowledge, the weight of expectation. they, too, are important. but don’t be afraid to defy them.

and don’t worry, as you feel the tug of these final days together. i am here to tell you that your harvard story is never done. in 1978, two freshmen watched a screening of the movielove story in the science center. three decades later, they met for the first time. and their wedding story appeared last month in the new york times.

so, congratulations, class of 20xx. don’t forget from whence you came. change the narrative. rewrite the story. there is no one i would rather trust with that task.

go well, 20xx.

哈佛校长福斯特演讲中文

人们也许会说哈佛是天堂，充满了各种难以想象的机遇和好运——确实，我们每个人都有幸在她漫长而成功的历史中占有一席之地。但这也对我们提出了要求：我们有责任走出自己的舒适区，寻找属于我们的挑战，践行哈佛奋斗不息的精神。

在我准备今天演讲的时候， 我想到了音乐剧《汉密尔顿》中最后那首歌里的问题：

“谁来讲述你的故事?”

我想这个问题奠定了你们过去四年大学生活的基调，也将对你们未来作为哈佛毕业生和校友的生活产生深远的影响，无论是作为公民或是领袖——

谁，来讲述你的故事?

是你，你要来讲述你的故事!

这就是今天我要对你们说的话：讲你自己的故事，一个充满了无限可能性和新秩序的崭新故事，这是每一代人的任务，也是现在摆在你面前的任务。你在哈佛所接受的文理博雅教育，将会用以下三种重要方式，帮助你去完成这项任务。

“听别人的建议，做你自己的决定”

讲述你的故事意味着发现你自己是谁——而不是成为别人认为你的谁。你要参考别人的意见，但要做出自己的决定。讲述一个别人定义好的或别人希望听到的故事，那太容易了。

哈佛的传奇人物之一、可敬的彼得·戈麦斯教授曾说：“不要让任何人替你把话说完。”

戈麦斯教授自己经常“自相矛盾”，令人难以捉摸，但永远忠于他自己：他是一位剑桥市的共和党人(注：在哈佛所在的剑桥市，共和党是少数派);他是一位浸礼会的牧师，但同时是个同性恋(注：基督教大多不支持同性恋);他是朝圣者协会的会长，同时又是一位黑人(注：朝圣者协会白人居多)。

他对自己的信仰坚定不移，他不为外人的期望牵挂束缚。他说：“我的不同寻常，让开启新的对话变为可能。”

“开启与他人的对话，倾听他人的故事”

开启新的对话，这是我的下一个重点。讲述我们自己的故事并不意味着只关注我们自己。讲故事是与他人对话，借此探寻更远大的目标、探索其他的世界、探究不同的思维方式——你所受的教育不是一个真空的大泡沫。

如果我们只讲述单一的故事，那将是危险的，就像诺大的场地只有一个逃生口，令所有人变得异常脆弱。单一的故事不一定是假的，但它是不完整的。所有的故事都很重要，不能把单一角度的故事变成唯一的故事。

过去四年，你们感受到了倾听他人故事的益处，也体验到了忽略他人故事所带来的危险。只有意识到，世界上充满了各种各样的故事，我们才能想象一个不一样的未来。21世纪的医疗是什么样?能源是什么样?移民是什么样?城市将如何设计?面对这些问题，你要问的不是“我会成为什么样的人”，而是

“我能解决什么问题”?

“在不安和不确定中，不断修正你的故事”

这也引出了最后一个重点：不断修正。每个故事其实都只是一个草稿，我们连最古老的传说都会不断拿来重提——不管是汉密尔顿将军的故事、美国独立战争的史诗、亦或是哈佛自己的历史。

好的教育之所以好，是因为它让你坐立不安，它强迫你不断重新认识我们自己和我们周遭的世界，并不断去改变。

斯蒂芬·斯皮尔伯格将在毕业典礼上为我们演讲，他就曾经这样解释他创作的基石：“恐惧是我的动力。当我濒临走投无路的时候，那也是我遇见最好的想法的时候。”

大学，不正是这样一个让每一个人都接受挑战、让每一个人都产生不确定性的地方吗?

就这样，大学四年间，你都一直在学习重新讲述你的故事：寻找你自己的声音，将自己放入一个故事中——无论是对气候变化采取反抗行动，发现你对统计学的热衷，还是发起了一项有意义的运动，你亲眼目睹故事不断被重新讲述。

“不要妥协，直奔你的目标”

这些年，我一直在告诉大家：

追随你所爱!

去从事你真正关心的事业吧，无论是物理还是神经科学，无论是金融还是电影制片。如果你想好了目的地，就直接往那里去吧。这就是我的“停车位理论”：不要因为觉得肯定没有停车位了，就把车停在距离目的地10个街区远的地方。直接去你想去的地方，如果车位已满，你总可以再绕回来。

所以在这里，我想祝贺你们，20xx届的哈佛毕业生们。别忘了你们来自何处，不断改变你的故事，不断重写你的故事。我相信这项任务除了你们自己，谁也无法替你们完成!

关于大学教授礼仪培训心得体会及感悟六

忙忙碌碌中，一学期过去了。回头看，围绕学校的工作计划和安排，自己兢兢业业，尽心尽职，较好的完成了本学期的各项任务。为总结经验，找出不足，便于今后更好的工作。总结如下：

一、认真教学，育人为本

一学期来，本人认真备课、上课、听课，及时批改作业、讲评作业，做好课后辅导工作，广泛涉猎各种知识，形成比较完整的知识结构，严格要求学生，尊重学生，使学生学有所得，从而不断提高自己的教学水平和思想觉悟，并顺利完成教育教学任务。 下面是本人的教学经验及体会：

1.提高教学质量，关键是上好课。为了上好课，我做了下面的工作：

(1)课前准备：备好课。 认真钻研教材，对教材的基本思想、基本概念，每句话、每个字都弄清楚，了解教材的结构，重点与难点，掌握知识的逻辑，能运用自如，知道应补充哪些资料，怎样才能教好。考虑教法，解决如何把已掌握的教材传授给学生，包括如何组织教材、如何安排每节课的活动。

(2)课堂上的情况。 组织好课堂教学，关注全体学生，注意信息反馈，调动学生的有意注意，使其保持相对稳定性，课堂语言简洁明了，克服了以前重复的毛病，课堂提问面向全体学生，课堂上讲练结合。

2.提高教学质量，还要做好课后辅导工作。

3.积极参与听课、评课，虚心向同行学习教学方法，博采众长，提高教学水平。

4.培养多种兴趣爱好，到图书馆博览群书，不断扩宽知识面，为教学内容注入新鲜血液。

二、加强学习，提高自身素质

随着教育教学改革的不断深入，时代对教师的要求越来越高，越来越严。要求教师终身学习，自觉进行知识与观念的更新。增强自身修养与适应能力，不断提升自己的综合文化素养。作为基础教育的一员，要适应形势的需要，跟上时代的步伐，认清素质教育对人才培养的时代标准，就要不断学习，更新教育理念。因为良好的教师素质是提高教育质量的关键，是提高课效率，落实素质教育的根本。教师只有不断学习，不断进取，不断完善自我，才能在课堂教学中适应教材、适应学生、适应课堂。才能在课堂教学中渗透符合时代信息的活水，才能常教常新。此外，本人还参加了入党积极分子培训班的学习，努力学习党章，向党组织靠拢，端正自己的工作思想和学习思想。

三、务本求实，做好本职工作

严格遵守学院的各项规章制度，不迟到、不早退、有事主动请假。在工作中，尊敬领导、团结同事，能正确处理好与领导同事之间关系，此外对于系里安排的其他工作，

本人也积极主动去完成。另外，学校的中心工作是教学，课堂教学是学校教育的主渠道。而作为一线的教师，首要的任务就是备课、上课、改作业。为上好每一节课，我首先做到了认真备课，教学实践使我深有体会，只有教师认真做好课前准备，才能上好课，备课不仅是提高教育教学质量的一个重要条件，也是教师不断丰富自己教学经验的必要途径。为备好课，自己认真学习课标要求，查阅有关的参考资料，刻苦钻研教材，结合所带班级的实际情况，确立适合的教学目标，写出切实可行的教案。

在认真备课的基础上，选择恰当的教学方法，精心组织课堂教学。课堂上尽量做到活、实、全。活：教学方法活和学习方法活;实：基础知识扎实;全：即面向全体，全面提高教学质量。真正做到人人有收获，个个有提高。在教学生掌握基础知识的同时，注重智力的开发，能力的培养，素质的提高。并结合学科特点，向学生进行思想教育。

四、反思总结争取进步

总结到这一年以来所做的工作，取得了一定的进步，但是仍有不足之处，主要有：

1、教学方法的把握还不是很成熟，仍需继续努力并向其他教师学习。

2、在教学研究方面尽管读了一些相关的书籍，有所收获，但我深知还有很多要学。

3、课堂教学缺乏引导性，师生之间的互动较少，不能很好带动学生积极性

4、专业知识的储备上还稍显不足。

在今后的工作中我要发扬自己的优点，改正缺点，弥补不足。努力提高自身素质和业务水平，争取在平凡的岗位上做出不平凡的成绩。

大学教师年度工作总结 | 大学教师年终工作总结 | 大学教师个人工作总结

大学教师年度工作总结 | 大学教师年终工作总结 | 大学教师个人工作总结